With conventional digital SLR cameras, you never know exactly how the photo is composed until after you shoot. The Lumix® DMC-L10 changes all that with full-time Live View. When you look at the LCD screen, you see what the camera sees, making it easy to adjust and compose your shot just the way you want it.
Panasonic DMC-L10
Full-Time Live View Redefines Digital SLR Photography With conventional digital SLR cameras, you never know exactly how the photo is composed until after you shoot. The Lumix® DMC-L10 changes all that with full-time Live View. When you look at the LCD screen, you see what the camera sees, making it easy to adjust and compose your shot just the way you want it.
Greater Flexibility with a 2.5" Free-Angle LCD The camera's 2.5" free-angle LCD gives you even greater flexibility with a screen that rotates 180° left and right and 270° front and back for shots at both high and low angles. In addition, the auto-focusing area can be chosen from as many as nine points while viewing the LCD before you take the shot so you can focus on your subject with exceptional accuracy. You can also use the LCD to check how any white balance or exposure compensation adjustments affect the shot before you take it, while Film Mode lets you adjust the photo characteristics.
Face Detection Ensures That No One Gets Lost in the Crowd This function, the first on a digital SLR camera1 and made possible by full-time Live View, recognizes up to 15 faces in the frame and optimizes the focus and exposure settings to capture them clearly and correctly.
No More Blurry Photos A first in digital SLR cameras1, Intelligent ISO Control prevents motion blur by detecting if the subject is moving and adjusting the ISO setting and shutter speed accordingly. The camera's Leica D lens is also equipped with Panasonic's MEGA O.I.S. optical image stabilization system, which prevents blurring caused by shaky hands and helps you capture sharp, clear, beautiful images even when taking telephoto shots or shooting in dim lighting.
Compact and Lightweight for More Fun, Greater Mobility Featuring a compact design and weighing just a little over a pound, the DMC-L10 is a camera you can carry around easily and use comfortably. The grip is designed to give you a sure, stable hold, leaving you free to concentrate on the shooting.
World-Class Leica Lens Panasonic's sophisticated LEICA D VARIO-ELMAR 14-50mm/F3.8-5.6 ASPH. lens unit features 15 lens elements in 11 groups, including two aspherical lenses to lower spherical aberration, and two extra-low dispersion lenses to suppress chromatic aberration. The focal length is equivalent to 28 to 100 mm on a 35mm camera.
Four Thirds™ Standard Designed Especially for the Digital Camera Panasonic adopted the Four Thirds™ standard for the DMC-L10's lens system, which means you can use lenses made by other manufacturers, providing you with an extensive range of interchangeable lenses.
Dust Reduction System Helps Protect the Inside of the Camera Every time you turn the camera on, a supersonic wave filter located in front of the image sensor vibrates vertically around 30,000 times a second to create a wave-like motion across the entire filter that shakes away any dust particles that enter the camera. This system even removes particles that would not be loosened by the horizontal movement of other image sensors.
Camera Type Interchangeable Lens Digital SLR Camera
KEY FEATURES.
Camera Effective Pixels 10.1 Megapixels
Optical Image Stabilizer MEGA O.I.S.: (Mode 1 / Mode 2 / Mode 3) Leica D Vario Lens: Yes (DMC-L1, DMC-L10)
CCD (Image Sensor) Live Mos Sensor, 11.8 Total Mega pixels, Aspect ratio 4:3 (Horizontal : Vertical), Primary Color Filter, Supersonic Wave Filter
Image Sensor Size 17.3 x 13mm
Extra Optical Zoom Max. 1.8x (Not effective with full pixel recording. Magnification ratio depends on the recording pixels)
Digital Zoom 2x 4x (live view only)
Focal Length f=14mm to 50mm (35mm equivalent: 28 to 100mm)
Leica DC Vario-Elmarit Lens No
Lumix® DC Vario Lens No
Leica D Vario-Elmarit Lens 15 elements in 11groups (2 Aspherical lenses, 2 ED lenses)
Aperture Type 7 diaphragm blades / Circular 1pepure diaphragm
Aperture Range F3.8 (Wide) - F5.6 (Tele) Minimum Aperture: F22
Mount Four Thirds Mount
Closest Focusing Distance 0.29 m/11.42 in. at all Focal Lengths
Maximum Magnification Apporox. 0.42x (35mm Film Camera Equivalent)
Diagonal Angle of View 75° (W)~24° (T)
Filter Size 67 mm
Max. Diameter Ø74 mm / 2.91 in
Overall Length (Lens only) 93 mm / 3.66 in
Weight (Lens only) 434 g / 15.3 oz
PERFORMANCE FEATURES.
Focusing Area 3-point; Auto/1fixed point, left/1fixed point, center/1fixed point, right Contrast AF system: 9-point/Multi-point/3-point/1-point/Spot/Face
Focus Type: TTL phase difference detection system, Contrast AF system (Live view mode) Mode: AFS/AFC/MF AF Detective Range: EV0-19 (ISO100), Contrast AF system, EV0-20 (ISO100)
ISO Sensitivity Auto/100/200/400/800/1600/ Intelligent ISO (Live view mode)
White Balance Auto / Daylight / Cloudy / Shade / Halogen / Flash / White Set 1,2 / Color Temperature Setting
White Balance Adjustment Blue/Amber Bias Magenta/Green Bias
Color Temperature Setting 2500-10000K in 100K
Exposure Program AE Aperture Priority AE Shutter Priority AE, Manual
Exposure Compensation 1/3 EV Step, ± 2 EV
Auto Bracketing (AE) 1/3~2EV Step + 2EV, 3 Frames
Light Metering System TTL Full Aperture Light Metering by 49 Zone Multi-Pattern Sensing System (optical viewfinder) 256 Zone Multi-Pattern Sensing System (Live View Mode)
Scene Modes Program AE/Aperture Priority AE/Shutter Priority AE/Manual Exposure/Auto/Custom/Portrait/Scenery/Macro/Sports/Night Portrait/Scene/Baby 1/Baby 2/Pet/Sunset/Food
Advanced Scene Mode Portrait/Sports: Normal / Outdoor / Indoor / Creative Scenery: Normal / Nature / Architecture / Creative Macro: Normal / Moving Subject / Creative Night Portrait: Normal / Night Scenery / Illumination / Creative
Shutter Speed/Shutter System Type: Focal-plane shutter, Speed: 1/4000 ~ 60 and Bulb (up to approx. 8 minutes), Remote control with bulb function by DMW-RSL1 (Optional)
Color Mode Standard/Dynamic/Nature/Smooth/Vibrant/Nostalgic
Recording Format JPEG (Design rule for Camera File System, based on Exif 2.21 standard), DOPOF corresponding, JPEG (Design rule for Camera File System, based on Exif 2.21 standard), DOPOF corresponding, color space: sRGB, Adobe RGB
Image Quality RAW/Raw+Fine/RAW+Standard
Motion Image (Quick Time Motion JPEG) (Live View Mode)3:2 Aspect Ratio, 16:9 Aspect Ratio
RECORDING IMAGE SIZE (Pixels).
4:3 Aspect Ratio (Still Image) 3648 x 2736 2816 x 2112 2048 x 1536
3:2 Aspect Ratio (Still Image) 3648 x 2432 2816 x 1880 2048 x 1360
16:9 Aspect Ratio (Still Image) 3648 x 2056 2816 x 1584 1920 x 1080
CONVENIENCE FEATURES.
Burst Shooting Mode 3 pictures (when there are RAW file), Unlimited consecutive shooting (when there are no RAW file) (depending on memory card size, battery power, picture size, and compression) For 3 frames/sec or 2 frames/sec